Class and chance collide in Sean McAllister’s brilliant Sheffield Doc/Fest opening film, as young performers are guided through their home’s transformational year as UK city of culture
A Northern Soul functions brilliantly on both a political and emotional level. At no point is anyone patronised or pitied, and much of British TV and film could learn a lot from how McAllister makes films about poverty and working-class characters. This film may not be the most beautiful looking or sounding film, but it doesn’t matter. It’s a personal cry for social mobility of the kind McAllister himself benefited from, and a demonstration that given an opportunity, northern working-class people can and will make and engage in culture for themselves.
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